Stamberga: Take Your Time

There is a space in Milan that feels like home although it speaks about the whole world, where the beauty of books, images and objects becomes a bridge between East and West

  • Stamberga: Take Your Time
  • Stamberga: Take Your Time
  • Stamberga: Take Your Time
  • Stamberga: Take Your Time

Among the Art Deco buildings of the Porta Venezia district in Milan, hiding in a quiet courtyard, Stamberga is a special place that contains multitudes. Part tea room, part bookshop and part art gallery, Stamberga houses design, art, fashion and travel magazines and books and a permanent black & white photo exhibition called Spiritus featuring the work of Marco Beretta, a traveller and the founder of Stamberga, focusing on Tibetan monasteries. We met Marco to learn more about the journey that led him to create Stamberga.
SJ: How do you choose the objects and books for Stamberga? 
MB: Every single title, object or detail is chosen, desired and conceived following a thin thread that links everything. Choice is a process, emotional at first and then rational. The search, instinctive and continuous, is always followed by a pause that makes the sensations settle. At Stamberga, form and meaning are are inseparable: the aesthetics anticipates the content, the content confirms the aesthetics.
SJ: Stamberga is a space with an urban DNA whose definition goes beyond the classic genre boundaries, yet the idea of travel seems to be at the core of it. 
MB: When I look at Stamberga, I get the real meaning of the term ‘contamination’: a harmonious fusion of elements of different origins. And I guess this is rooted in travel: for 30 years, I have been travelling extensively and meeting the most diverse people, going from a Tibetan monastery to a concept store in New York, sleeping in a tent on the Himalayan plateau and in the Burj Khalifa skyscraper in Dubai, travelling by train from Beijing to Ulanbataar and then on a Royal Enfield motorbike in India, visiting a museum in Santiago de Chile and an artisan shop in Burma or a gallery in Berlin, eating sashimi in Tokyo and snake soup in Hong Kong. And finally, one of my greatest passions: drinking tea, be it a cup of green tea in Shanghai or a mint black tea in Riyadh.
SJ: Which cities or countries contributed the most to shaping your taste?
Burma and India. Paris and Tokyo. These are the places where I always want to go back.
SJ: Auberge Thé Bleu, the tea served at Stambrga, is your creation: tell us about the orifin of this project.
MB: I have learnt the pleasure and the art of tea in over 25 years spent traveling to Chinaas an international fashion manager. Once I ran out of the supplies accumulated throughout that period, I looked for small shops in Europe that could bring back that flavor and above all that spirit, so slow and far from mass consumption. Only in Paris did I find something similar, so I decided to make a dream of mine come true and become a tea merchantmyself. I contacted pure tea importers, became a tea sommelier, came up with a flavor list, made a selection of 25 types of tea and finally created a brand and a concept that reflected my ideas and experience. The Auberge Thé Bleu imagery is inspired by the colonial period, the atmospheres of French Indochina, the vessels of the East India Company and to out-of-time quiet of Tibetan monasteries
SJ: Are tea rituals and aesthetics part of Auberge Thé Bleu's identity?
They are an essential and indispensable part of it. In the Far East, the gestures and the rituals are the essence of care and attention. Like Stamberga itself, Auberge Thé Bleuaims to evoke perceptions and to express ideas and intuitions.

Author : The Slowear Journal


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