Exploring the Art of Mr. Gaetano Pesce

A major exhibition in Padua celebrates one of Italy’s most unique and innovative creative personalities

  • Exploring the Art of Mr. Gaetano Pesce
  • Exploring the Art of Mr. Gaetano Pesce

Gaetano Pesce has made things clear ever since the beginning of his career: while still studying architecture at the University of Venice, he wrote a manifesto called "in defense of the right to incoherence", because creatives had to be allowed and required to wander and experiment.
It was the end of the 1950s and also the time of the Paduan Enne Group, a collective of students fascinated by machines and the application of technology to art, and attracted to kinetic art that was already a thing Milan.
Because of the special relationship he had with the city, Padua is celebrating Gaetano Pesce with a retrospective entirely dedicated to the designer, visionary, artist and architect born in La Spezia in 1939. Il tempo multidisciplinare(“multidisciplinary time”, open until September 23) is housed inside the historic Palazzo della Ragione, which just turned 800 years old. It presents 200 works that explore all the forms of expression experienced by Pesce throughout his life, from design to urban projects, avoiding all defined routes so that visitors can be carried away by the perennial brainstorming which is at the base of Pesce’s art.
Incoherence finds coherence in its own guiding thread: the curiosity that drives the artist’s search for the essence of contemporaneity. Exhibited at the MoMA in New York, at the Victoria & Albert Museum in London, at the Vitra Museum in Berlin and at the Pompidou Center in Paris, here in Padua Gaetano Pesce's ideas are epitomized by Un Gigante di Vestiti (“a giant made of dresses”), a four meter-high chair covered in women’s clothes from different eras and styles.
In this exemplary work, the scenic power joins a civil message, as it is often the case with his works: around the chair, six columns hold six wild beast heads representing masculine aggressiveness unleashed by the fear of women. Maestà Tradita(“betrayed majesty”), a sculpture dedicated to the female martyrs, and Italia in Croce(“crucified Italy”, 1978) are both exhibited outside the Palazzo, offering free hints for reflection to the whole city.
Among Pesce’s previously unseen works is finally Padova Onora Galileo(“Padua honors Galileo”, an urban project dedicated to the city of Padua and to one of its most distinguished guests, and a tribute to borderless thinkers who explore everything that inspires them, from art to physics, astronomy, and literature.

Author : The Slowear Journal


Gaetano Pesce  | Padua  | exhibition  | art  | design  | sculpture  |

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